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Southampton College
Southampton College M.F.A. in English & Writing

M.F.A. in English & Writing
 
The Hamptons
Resources and Special Programs
 
Program Features

Special Independent Studies and Tutorials

Sample Syllabus for Independent Study and Tutorials

The Low Residency Option

Full-Time, Part-Time and Non-Matriculated Students


Dava Sobel (right) is one of the Distinguished Authors in the MFA in Writing Program.

Special Independent Studies and Tutorials

Students in the graduate program in Writing may wish to enroll for special independent study classes (English 681) or tutorials (for instance, English 652, Writing and Society) that combine traditional course work with professional, degree-related experiences.

A student offered the chance of working as an intern with a publisher may, for example, want to integrate this experience into the course work of an independent study in the principles of editorial work, or a student working as an assistant in the public relations division of the National Audubon Society may wish to combine work-related activities with the course work in a tutorial on environmentalism and writing in contemporary society.

Students who would like to pursue the possibility of taking such special independent study or tutorial courses should consult with their advisors or with the division director of the Humanities program. College personnel will be happy to work with students who would like to find a professional working experience that can be combined with study toward the degree.

All students interested in such courses must comply with the application procedures for tutorials and independent studies as listed in the College catalogue. Each such course will require a faculty instructor as well as a written syllabus detailing the nature of the academic work to be done and the method of grading. Students will not be permitted to enroll for such courses until they have completed one semester or session in residence at the Southampton Campus and have completed counseling for work- related course experience. Generally, students will not be permitted to take more than six credits toward their graduation requirements in independent studies or tutorials that combine professional experience with academic course work.

Students should take the lead in drafting the proposed syllabus for special independent study or tutorial courses related to work experience. At the end of this notice, a sample syllabus is provided. The final version of the syllabus will be prepared in collaboration between the student and the course instructor.

Students who are not United States nationals should be aware that it is often very difficult for foreign students to obtain the necessary government approvals to work in the United States. Foreign students interested in any credit- bearing activity that involves employment outside the College should consult with Noreen McKenna in the Office of Graduate Admissions.

Sample Syllabus for Special Independent Study and Tutorial Courses in the M.F.A. in Writing Program


This sample syllabus covers the coursework a student might do who had obtained an internship at The New Yorker. In this case, the student is applying to take a tutorial version of the catalogue course, English 652, Writing and Society. The special topic of the course is the history of American literary magazines, with special emphasis on The New Yorker itself.

Southampton Graduate Campus of LIU
Syllabus
Spring 2005
English 652W: Writing and Society
Student: Aspirina Writer
Tutor: I.M.A. Sage

General Plan of Study

  1. From February 2nd through May 23, 2005, the student has arranged through the college's Humanities Division and Cooperative Education Office to work as an intern at The New Yorker magazine, located at in New York. She will work under the direction of Lucky Brighthing, Assistant Editor for Fiction.
  2. In addition to the work associated with the internship, the student will also read the texts and do the work outlined in this syllabus.
  3. Specifically, this tutorial course will examine the history of literary magazines in America, with special emphasis on the role of The New Yorker.
  4. In order to obtain a grade, the student agrees to complete the reading listed below and to submit the following written work: a) a journal recording notations from reading and observations from work-related experience that contribute to an understanding of the topic; b) a final paper, no less than 40 pages in length, on a subject related to the work of the course. The subject will be determined by the student and the tutor, and all work will be submitted no later than June 15, 2005.
  5. By letter, phone, or e-mail, the student will regularly contact the tutor to discuss the progress of the coursework and to seek any necessary advice.

Texts

Abrahamson, David. Magazine-Made America: The Cultural Transformation of the Postwar Period. Cresskill, NJ: Hampton Press, 1996.
Adler, Renata. Gone: The Last Days of The New Yorker. New York: Simon and Shuster, 2000.
Chielens, Edward E. American Literary Magazines: The Twentieth Century. London: Greenwood Press, 1992.
Gill, Brendan. Here at the New Yorker. New York: Da Capo, 1997.
Kahn, E. J. Jr. Year of Change. New York: Viking/Penguin, 1998.
__________, At Seventy: More About the New Yorker and Me. New York: Viking/Penguin, 1998.
Kunkel, Thomas. Genius in Disguise: Harold Ross of the New Yorker. New York: Random House, 1995.
Liebling, A.J. The Sweet Science. Evanston, IL: Holtzman Press, 1981.
Meade, Marion. Dorothy Parker: What Fresh Hell Is This?. New York: Random House, 1987.
Mitchell, Joseph. Up in the Old Hotel. New York: Random House, 1993.
Ross, Lillian. Here But Not Here. New York: Random House, 1998.
Wilford, Hugh. The New York Intellectuals: From Vanguard to Institution. Manchester: Manchester University Press, 1995

The Low-Residency Option

The English and Writing Program recognizes that many writers have jobs, families, and other obligations that make a full-time residential course of study impractical. Accordingly, in addition to the traditional course of study in which students obtain their degree exclusively by taking classes in Southampton, the College also offers a low-residency program that allows candidates for the M.F.A. degree to complete many of their requirements off-campus.

Students who choose the low-residency option must meet all of the following requirements: 1) they must complete at least 12 credits in residence; 2) they must be in residence during their first semester or session of matriculation; and 3) they must be in residence for at least two semesters or sessions. Students are considered to be in residence if they are taking one or more courses offered on site at the Southampton Graduate Campus campus.

During their initial semester or session in residence, students will select their advisors and plan a course of study leading to their degrees. During the second semester in residence, in addition to academic work, students will participate in teaching, lecturing, or workshop activities.

Under the low-residency option, all other work toward the degree may be completed by individualized study done off-campus. Typically, students will do course work equivalent to that of courses within the regular program which has been approved by the faculty in English and Writing. They will plan tutorials or independent studies in collaboration with a faculty supervisor, with whom they will be in regular contact through the mail, over the telephone, or by means of the Internet.

Students taking any course, tutorial, or independent study under the low-residency option must submit a form, completed with the help of the faculty supervisor and available from the Enrollment Services Office or the Humanities office, specifying all of the following: the name and nature of the course, tutorial, or independent study; the amount of credit associated with the project; the name of the supervising faculty member; the weekly schedule of readings and written assignments; the schedule of contacts with the faculty supervisor; the time period in which all course work must be completed; and the standards by which the student's work will be judged and a final grade awarded. All courses of study under the low-residency option must be approved by the program director, and no course of study will be approved which does not provide for weekly submission of student work to the faculty supervisor, who shall respond to student submissions on weekly basis, offering guidance, advice, and support. No course of study under the low-residency option may proceed without the signature of the faculty supervisor for the project and the approval of the program director.

Students interested in the low-residency option should contact the Humanities Office in Fine Arts 9, 631-287-8420.

Full-Time, Part-Time, and Non-Matriculated Students

Full-time students take 12 or more credits in the fall or spring semester. Students taking fewer than 12 credits in the fall or spring semester are part-time students.

Non-matriculated students may register for a course with the permission of the program director and of the course instructor. Non-matriculated students may take no more than one course in the Writing program during any semester or summer session and no more than nine credits as a non-matriculated student. In order to secure permission to take courses, they must 1) show evidence of having completed a college degree or of possessing appropriate professional experience in the area of writing, and 2) demonstrate by the submission of transcripts or writing samples that they possess the requisite knowledge and skills to take advanced courses. Matriculated students shall have precedence in enrollment in any situation where the number of students in a class is limited.

 
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